Skip to main content

Yamaha SK20 (Part Two - Final Details)

I thought I’d take another crack at Stinky Boy a.k.a. my Yamaha SK20 Symphonic Ensemble. He’s been doing great but I still had some unfinished business to take care of. And truth be told, he still hadn’t completely given up his old synth smell.

I dragged all 33 pounds (15 kg) of him down from the loft studio and popped him open. (I have to say, they really designed synths for ease of maintenance back in the day. Just a few screws and up pops the control panel. Even the keyboard is on hinges.) My plan was to rebuild the sliders, change the tact switches, redo the terrible dust covers I had put in temporarily last time, replace the strip of felt from the top of the keys, and address the smell.

I recently finished refurbishing a Roland SH-09 (which I hope to write about soon) and part of that involved rebuilding the sliders. There were only 10 and it took all day, and it really didn’t make a huge amount of difference. So instead of spending a lot of time on the SK20’s 29(!) sliders, I just decided to squirt some DeOxit Fader Lube in and be done with it. They weren’t that bad off, really. Likewise with the tact switches. They were inside individual plastic housings and although I couldn’t see the actual switch part, from looking at the underside of the PCB they appeared to be rectangular, which I had never seen before. This says to me they’re proprietary or at least not made anymore, and no vintage parts stores seemed to carry them. So I popped off the buttons to give them a clean and spritzed some DeOxit into the housing just for fun.

I had recently picked up a roll of stiff acrylic felt, which was a lot stronger than the junk they sell at the local hundred yen store. I cut out some sections and made new dust covers for the sliders. I also made sure to glue them down to the rails that hold in the control panels, something I forgot to do last time. Yes, they were moving all around. Pretty junky. I also glued down a long strip to cover the top of the keys where they meet the top panel. It looks so much better now, and not like the synthesizer equivalent of a car up on blocks in someone’s front yard.

After snapping back on the now clean buttons, and giving the slider caps a good scrub with a soft toothbrush, everything was looking good. There was the lingering smell though. The mold had not come back, thankfully, but there was still that old dog smell, especially when the SK20 was turned on. I sprayed some generic contact cleaner all over the boards under the keyboard, which were the dirtiest in the machine. Although I had cleaned them off pretty well before, there was still some dust clinging to the surface. That helped a lot.

Lastly, I’d been using a deodorizer in the studio to try and suck up the smell. In just a month or so, it had been drained almost completely, so I put in a new destinker cartridge and set it on edge of Stinky Boy. Another few weeks and I’ll have to give him a new nickname. Maybe Heavy Boy?

Comments

Popular posts from this blog

Korg Poly-800 (Moog Slayer Filter And Battery Mod)

I’m trying to improve my electronics skills. I thought modding might be the logical next step from changing internal batteries and swapping out tactile switches. I’d like to add MIDI to my Korg Poly-61 and maybe improve the MIDI on my Roland JX-3P. These mods require skills above and beyond what I have now, and I certainly don’t want to wreck them in the process, so when a cheap Poly-800 became available on Yahoo Auctions, I snapped it up in the hopes of trying the Moog Slayer Filter Mod. As anyone who’s looked at a Poly-800 knows, there are no knobs on the front panel, just a few buttons and a lot of teal. I couldn’t do much about the teal but I could add two knobs to bring direct control of the filter and cutoff parameters to the fore. Seeing as it’s a Poly-800, and they sell for around $100 in Japan, I wouldn’t be too disappointed if I killed it. I could always sell it for parts and get my money back anyway. Cosmetically, my new Poly-800 wasn’t in terrible shape. There was so

Roland HS-80 SynthPlus 80 (Alpha Juno 2)

Although I listened to industrial music all through high school, and loved groups like Front 242 and Skinny Puppy, my interest in electronic music really exploded when I discovered techno and rave in 1991. I loved the energy of it but mostly I loved the sounds. It was unabashedly synthy, and each song was seemingly built around one or two incredible sounds that just repeated. It was glorious. I loved all the hoovers, but especially the Dominator, so if you had put money down with a bookie in 1991 that I’d someday be the proud owner of an Alpha Juno synth then you’d be a winner today. Well, almost. Instead of buying a reasonably sized Alpha Juno or Alpha Juno 2, I had to go and get the HS-80 SynthPlus 80, the rather unwieldy and, it has to be said, ugly home version. Introduced in 1987, a year later than the original Alphas, this behemoth widened the case to include an amp and two speakers. Gone are the fetching membrane buttons, replaced with D-50-style black push-button jobbi

Technics SY-1010

The Technics SY-1010 is not the most famous analog mono synth on the Japanese block. It's not the fattest sounding, nor the most complex. In fact, it's a little on the thin side and downright simple. It has one oscillator with only one waveform, for crying out loud. It's housed in a lightweight plastic case that's prone to discoloration, and its keys are often so yellow a life-long smoker would be shocked. And yet I love it. It was my first vintage synth purchase in maybe 20 years. I had recently gotten back into hardware, thanks to the MS-20 re-release, and was being increasingly lured in by the tantalizingly low prices on Yahoo Auctions. I had yet to really learn the language of auction lots in Japan but I took a chance and was surprised when I won the bidding for this Technics synth for around $100. Something of a rarity even in Japan, the SY-1010 was sold in Technics showrooms in Japan in the late ‘70s. I imagine it must have been similar to the RadioS