Boy Meets Synth

Boroboro is a word in Japanese that means junky. When I opened up the box and first saw my CZ-5000, that’s exactly what I thought. Ugh, boroboro. The paint was worn and faded, there were scratches in the silk screen lettering, the screws were all corroded, and it had two or three large stickers plastered to the front, as well as a few other places where stickers had been improperly removed. It was also missing its volume and chorus slider caps. I paid $200 for this? Sometimes I get a little carried away bidding for things on Yahoo Auctions. “Wow, that’s a good price,” I think and then in my synthesizer fever I tend to not inspect the pictures as well as I should. I had no memory of all those stickers in the posted images but I went back and checked and they were indeed there. I could try to place the blame on the low-res pictures Yahoo Auctions uses but really this was all on me. Live and learn. I had wanted a CZ-5000 for awhile, ever since I first got a CZ-101. I love the Casio

Learning how to fix and mod gear has been good for me. Not just because I get to enjoy using the instruments once they’re finished but because it’s helped me get more comfortable with failing. No one likes to fail but it’s precisely by screwing up that we can actually grow and learn. The first time I attempted this Boss DR-110 Circuitbenders din sync mod I screwed up and killed it. This time, I didn’t. The DR-110 is a lovely drum machine. Much like a poor man’s TR-606, it has a wonderfully buzzy and metallic sound. And, unlike the 606, it has a clap. And what a glorious clap it is. Maybe the best clap in all drum machinedom? Maybe? It also has a positively bouncy swing to it. I like it almost as much as the 606, and even more on some sunny days. I can’t say enough good things about it. Unfortunately, it’s pretty difficult to use this gorgeous sound in your songs unless you use it as a master clock because there’s no slave sync. No MIDI, no din sync, not even just plain clock sync

Summer vacation had arrived. I finally had time to do all the work on the Juno-106 that I needed to do. And there was still quite a bit that needed doing: new battery, new tact switches, rebuilding the sliders, cutting out fader dust covers, and doing something about those ugly buttons. Being a junior high school teacher, I had the whole summer off to get things done. Here’s how it went. Starting with the battery seemed like a good idea. Although the old one was still putting out a good amount of charge, I figured since I was ripping everything out I may as well get the module board out too. I unplugged the numerous amount of cables, got the board out, and swapped out the battery. No sweat. The next order of business was getting the panel board out from under the top of the synth to deal with all the things that needed addressing there. Out came the many cables running into the panel board, off popped the slider caps, and out slid the board from its slot under the panel. I pulled

Although I love my Yamaha SK20 , as a string machine it honestly leaves a little to be desired. Sure, it has some nice strings but it’s more of an all-around 70s synth than a satisfyingly smooth stringer. For that, I needed a Solina. And because I’m just a humble junior high school English teacher I settled for a Roland RS-09. There are plenty of string machines that will do more than the RS-09 but where this thing excels is the ensemble effect. Four (count them! Four!) bucket brigade circuits work together to create a glorious, heavenly whirlpool of phasing sound. There are two speeds, slow and less slow, and they’re both luxurious. I could hold down a chord and listen to the cycling BBD magic all day. And if that wasn’t enough, the RS-09 has an external in so you can add a touch of heaven to any signal you want. You may remember that this is not my first dance with a Roland RS synth. While this one didn’t stink like my RS-101 it did have a number of other problems lurking belo