Boy Meets Synth

Eagle-eyed readers of this blog may remember that I had a Roland HS-80 SynthPlus 80 , the home version of the Alpha Juno 2. I took the speakers out. But I also really liked the look of the original Juno 2. With its slim body and membrane buttons, it just exudes mid-80s cool. I had been wanting a new master keyboard to replace my Roland A-49, so after seeing YouTube star Espen Kraft using one I decided to sell off the HS-80 and get an Alpha. It arrived clean and in good shape, and even came with a plastic hard case. Nice. However, I sometimes noticed a faint, high-pitched whine coming from inside the machine. It wasn’t present in the audio but was definitely audible when I put my ear near the casing. But then it went away and I forgot about it. The Alpha Juno 2 was originally released in 1985. The younger brother (in age, not size) to the Alpha Juno, the 2 added an extra octave and touch sensitivity, something that makes it a great master controller even to this day. Unlike the ...

I like analog synths. That should be obvious from this blog. I particularly like ‘70s mono synths and ‘80s polys. That being said, I’m not an analog purist. I’m not anti-digital, by any means. I have a CZ-101 and a Yamaha TX81Z, and I’d really like a TG33 and Kawai K1m. I prefer analog but as a composer and producer, I recognize that sometimes a song needs a different kind of sound. It’s with this philosophy in mind that I jumped at the chance to buy a Korg DW-8000 for around $100. It wasn’t in perfect condition but it worked, and that was good enough for me. Why the DW-8000? If you have to ask, you probably haven’t heard one. Released in 1985, the DW-8000 is an 8-voice polyphonic hybrid synthesizer, occupying an evolutionary branch that ended when Roland’s D-50 won the survival of the fittest. But for an interesting period in the mid-80s, synth manufacturers were trying to find a way to link the sumptuousness of analog with the realism and clarity of digital. Korg eventually cau...

Although I listened to industrial music all through high school, and loved groups like Front 242 and Skinny Puppy, my interest in electronic music really exploded when I discovered techno and rave in 1991. I loved the energy of it but mostly I loved the sounds. It was unabashedly synthy, and each song was seemingly built around one or two incredible sounds that just repeated. It was glorious. I loved all the hoovers, but especially the Dominator, so if you had put money down with a bookie in 1991 that I’d someday be the proud owner of an Alpha Juno synth then you’d be a winner today. Well, almost. Instead of buying a reasonably sized Alpha Juno or Alpha Juno 2, I had to go and get the HS-80 SynthPlus 80, the rather unwieldy and, it has to be said, ugly home version. Introduced in 1987, a year later than the original Alphas, this behemoth widened the case to include an amp and two speakers. Gone are the fetching membrane buttons, replaced with D-50-style black push-button jobbi...