Skip to main content

Yamaha TX81Z (or how I learned to stop worrying and love FM)

I’m not an FM guy. Some people love FM. It tickles their fancy. Not me. To me, it sounds sterile and sharp, like a scalpel. A highly polished scalpel dipped in antiseptic. Me, I prefer analog. It’s fuzzy and woolly and warm, like a forest animal. Or like a blanket. Or a hug.

Of course, I’m exaggerating but you get the idea. We all have our preferences and mine tend towards analog. I like the smeary softness of analog. It reminds me of my childhood in the ‘70s and growing up in the ‘80s. That would be the early ‘80s, before our lives were blackened by the coming of the dreaded DX7.

Of course, I’m exaggerating again. I may prefer analog but I’m also a fan of synthesizers in general, and there’s something to be said for having a variety of sounds at your disposal. The song needs what it needs. Also, digital sounds can be surprisingly easy to slot into a full mix. Surgical. Precise. FM.

My first brush with frequency modulation came a few years ago when a friend offered me an old DX7 he found in his storage shed. It could only whine and gurgle, so I thought the battery might be dead. I learned to solder and swapped it out successfully but the whines and gurgles—like a robot with a sinus infection—continued. Now I realize I probably just needed to reinstall the factory patches but at the time I was ignorant of the ways of the synth. I sold it to Hard-Off (real name) for a dollar but I always wondered how my music world would have been different with FM in it.

Fast forward a few years to the introduction of the Volca FM. The chance to finally get my toes wet in the FM pool had come at last. Like the other Volcas, I enjoyed playing it, and like the other Volcas, I soon sold it. It was too bright and brash for my music. I was used to the gentle glow of an analog sunset, and this was the digital equivalent of someone shining a flashlight in my eyes.

But still I didn’t give up. Somehow the name TX81Z kept working its way into my life, so I decided to check out some YouTube videos. I immediately liked the way it sounded. While the DX7 and other 6-operator FM synths were shiny and chrome, the TX81Z was more like burnished metal, brushed aluminum. There was a grittiness to it that I immediately fell for. I found one on Yahoo Auctions in good condition for $50 and haven’t looked back since.

Released in 1987, the TX81Z was Yamaha’s first FM synth to feature waveforms other than pure sine waves. Its eight waves (one sinusoidal plus seven variations) lend the machine a wooliness that you don’t expect (I don’t expect) in FM. It’s like it was made for analog heads like me.

With its 8 voices, 8-part multitimbrality, and performance modes, it has plenty to offer. However, it’s still an ‘80s FM synth, which means it’s hard to program (for me, at least). The fact that it’s squeezed into a 1U rack unit doesn’t help matters either. However, as this is the 21st century, there are editors galore available. I’m using Patch Base by Coffeeshopped on the iPad, and while I can’t get the TX81Z to respond when I try to fetch patches, it works just fine going the other direction.

That being said, I mostly just use it as a preset module, and that being said, I mostly just use it to play LatelyBass. What a fantastic sound that is. I swear, it’s part sushi knife, because it just cuts through everything with little effort. Apparently the DX11, which features the famous Solid Bass, is basically a TX81Z with keys. And FM4, the great-sounding iPad app, is a recreation of the TX81Z as well.

So does this mean I’m going to chuck my JX-3P out with the trash and go all FM? No, that to me is the equivalent of furnishing your house entirely with metal and glass. I need my comfy sofas and chairs to relax in. But as the occasional accent, there’s nothing wrong with shiny.

Comments

Popular posts from this blog

Korg Poly-800 (Moog Slayer Filter And Battery Mod)

I’m trying to improve my electronics skills. I thought modding might be the logical next step from changing internal batteries and swapping out tactile switches. I’d like to add MIDI to my Korg Poly-61 and maybe improve the MIDI on my Roland JX-3P. These mods require skills above and beyond what I have now, and I certainly don’t want to wreck them in the process, so when a cheap Poly-800 became available on Yahoo Auctions, I snapped it up in the hopes of trying the Moog Slayer Filter Mod. As anyone who’s looked at a Poly-800 knows, there are no knobs on the front panel, just a few buttons and a lot of teal. I couldn’t do much about the teal but I could add two knobs to bring direct control of the filter and cutoff parameters to the fore. Seeing as it’s a Poly-800, and they sell for around $100 in Japan, I wouldn’t be too disappointed if I killed it. I could always sell it for parts and get my money back anyway. Cosmetically, my new Poly-800 wasn’t in terrible shape. There was so

Roland HS-80 SynthPlus 80 (Alpha Juno 2)

Although I listened to industrial music all through high school, and loved groups like Front 242 and Skinny Puppy, my interest in electronic music really exploded when I discovered techno and rave in 1991. I loved the energy of it but mostly I loved the sounds. It was unabashedly synthy, and each song was seemingly built around one or two incredible sounds that just repeated. It was glorious. I loved all the hoovers, but especially the Dominator, so if you had put money down with a bookie in 1991 that I’d someday be the proud owner of an Alpha Juno synth then you’d be a winner today. Well, almost. Instead of buying a reasonably sized Alpha Juno or Alpha Juno 2, I had to go and get the HS-80 SynthPlus 80, the rather unwieldy and, it has to be said, ugly home version. Introduced in 1987, a year later than the original Alphas, this behemoth widened the case to include an amp and two speakers. Gone are the fetching membrane buttons, replaced with D-50-style black push-button jobbi

Casio CZ-5000 (Part Two)

The last time I had my poor, battered CZ-5000 open, I tried to change the signal relay, a small component usually found in consumer electronics to suppress the thump sound heard at power-on. These are known to go bad in the CZ range, and can apparently cause all kinds of interference in the audio signal, from distortion and pops to volume drops and more. My machine was experiencing all these things, including an excessive amount of noise when moving the chorus slider. The signal relay drop-in replacement that I bought on eBay didn’t work so I cleaned the old as well as I could, re-installed it, and declared it fixed. Well, that didn’t last long. I fired up the CZ-5000 recently to install some patches I found online and was disappointed to discover that my “fix” was no longer working, and all the horrible noise had come back. It was time to address this issue permanently. And, while the machine was open, I figured I may as well replace the old LCD screen, which had a column of bad