Skip to main content

Roland Alpha Juno 2 - The Mystery Of The Whining LCD Screen

Eagle-eyed readers of this blog may remember that I had a Roland HS-80 SynthPlus 80, the home version of the Alpha Juno 2. I took the speakers out. But I also really liked the look of the original Juno 2. With its slim body and membrane buttons, it just exudes mid-80s cool. I had been wanting a new master keyboard to replace my Roland A-49, so after seeing YouTube star Espen Kraft using one I decided to sell off the HS-80 and get an Alpha.

It arrived clean and in good shape, and even came with a plastic hard case. Nice. However, I sometimes noticed a faint, high-pitched whine coming from inside the machine. It wasn’t present in the audio but was definitely audible when I put my ear near the casing. But then it went away and I forgot about it.

The Alpha Juno 2 was originally released in 1985. The younger brother (in age, not size) to the Alpha Juno, the 2 added an extra octave and touch sensitivity, something that makes it a great master controller even to this day. Unlike the Juno-106, which it replaced, the Alpha synths have very few sliders, making do with just buttons and the alpha dial for editing. Not great but also not a deal breaker (and I use iPG-800 on the iPad to wirelessly edit anyway).

The Alpha Junos don’t get nearly as much love as the earlier Juno machines. The lack of sliders is part of that, but the sound is distinctly different as well. It’s a bit more clinical than the older Junos, a bit more precise. That being said, it has plenty of pluses, including some unusual waveforms, like pulse width sawtooth waves, and robust envelopes for volume and pitch, which make it perfect for hoovers and other unusual sounds.

To me, the debate of which is better isn’t even worth having. It’s different than a Juno-106 and thus you need both. End of debate.

I was really enjoying my Alpha Juno 2, both as a synth and master controller, until it came back. The WHINE. High-pitched sounds drive me crazy. Maybe I have sensitive hearing. Or maybe it’s because I have tinnitus. But I just can’t ignore it. And this was getting louder and louder.

I dealt with a whiny LCD screen once before when I replaced the screen in my Korg DDD-1 drum machine. I assumed that this would be similar: swap out the screen, no more whine. I decided to buy a replacement LCD screen from Syntaur because I’m lazy and didn’t want to deal with putting in a modern backlit unit. That would involve tapping into 5V somewhere to power the backlight and I didn’t feel like an adventure. Plus, truth be told, I’m not a huge fan of the bright blue screens. Sure, they’re easy to read but they’re pretty garish.

I got the Alpha 2 all apart, unplugged the old LCD, put in the new one, and it whined too. What the. I swapped them back. Whine. Tried the new one again. Whine. But at a slightly higher frequency. Weird. I tried leaving it on for awhile to see if that made a difference. The whining became fainter over time but it never fully dissipated. And, I now noticed, there was an additional whine coming from near the power transformer. The transformer on the HS-80 made a bunch of noise but that was lower and from vibrations, not this annoying mosquito hum.

Well, bummer. Could it be that Syntaur sent me a bum screen? It seemed like pretty bad luck but I figured I may as well try to return it. After going back and forth in email a few times, they decided they would not take it back as the fault was likely in my backlight inverter. Aha, what’s this? This is an electrical part I haven’t encountered before. I thanked them for their time and got to googling.

It turns out that there’s a section on the power board that provides power for the backlight on the screen and that this can develop a whine over time. In fact, there are plenty of posts about this online. Most then go on to describe how to install the new garish screen and disconnect the inverter.

Wait a minute. If the inverter is only for the backlight but the rest of the screen will still get power without it, what if I just disconnect the inverter? It’s not like I do a lot of producing in coal mines or caves (nor do I play live). I unplugged the two wires that ran to the power board and the screen carried on dutifully displaying characters, just minus the cheery glow. So I clipped out the resistor in the inverter, closed it up, and can now do my producing in a blissful, whine-free environment.

I do still have that extra LCD screen though. Anyone need one? Barely used.

Comments

Popular posts from this blog

Roland HS-80 SynthPlus 80 (Alpha Juno 2)

Although I listened to industrial music all through high school, and loved groups like Front 242 and Skinny Puppy, my interest in electronic music really exploded when I discovered techno and rave in 1991. I loved the energy of it but mostly I loved the sounds. It was unabashedly synthy, and each song was seemingly built around one or two incredible sounds that just repeated. It was glorious. I loved all the hoovers, but especially the Dominator, so if you had put money down with a bookie in 1991 that I’d someday be the proud owner of an Alpha Juno synth then you’d be a winner today. Well, almost. Instead of buying a reasonably sized Alpha Juno or Alpha Juno 2, I had to go and get the HS-80 SynthPlus 80, the rather unwieldy and, it has to be said, ugly home version. Introduced in 1987, a year later than the original Alphas, this behemoth widened the case to include an amp and two speakers. Gone are the fetching membrane buttons, replaced with D-50-style black push-button jobbi...

Korg Poly-800 (Moog Slayer Filter And Battery Mod)

I’m trying to improve my electronics skills. I thought modding might be the logical next step from changing internal batteries and swapping out tactile switches. I’d like to add MIDI to my Korg Poly-61 and maybe improve the MIDI on my Roland JX-3P. These mods require skills above and beyond what I have now, and I certainly don’t want to wreck them in the process, so when a cheap Poly-800 became available on Yahoo Auctions, I snapped it up in the hopes of trying the Moog Slayer Filter Mod. As anyone who’s looked at a Poly-800 knows, there are no knobs on the front panel, just a few buttons and a lot of teal. I couldn’t do much about the teal but I could add two knobs to bring direct control of the filter and cutoff parameters to the fore. Seeing as it’s a Poly-800, and they sell for around $100 in Japan, I wouldn’t be too disappointed if I killed it. I could always sell it for parts and get my money back anyway. Cosmetically, my new Poly-800 wasn’t in terrible shape. There was so...

Yamaha PortaSound PSS-480

As I’ve said before , I’m not the biggest fan of FM synthesis. It’s not that I dislike it. I believe it has its uses, and there are some sounds it does better than anything else. But I never went through an FM phase like a lot of other people seem to have. I grew up in the ‘70s and ‘80s so I love analog synthesis. I consider a two-oscillator monosynth solo with plenty of portamento to be one of the finer things in life. Recently, I have come to appreciate what FM synthesis can do. And while I’m still not a huge fan of six-operator synths like the DX7, take me down to four and watch me come alive. My TX81Z can do things no analog synth can do, and while I didn’t have it for very long, the DX100 was more than capable when it came to bass. Solid, even. If four operators are better than six, imagine how good two operators must be. Sadly, this is not the case but two-op machines are capable of some pretty incredible sounds. From bells to falling cooking pan-like noise, it’s hard to b...